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"Why, so I was," says Mona, opening her eyes with some surprise, and with an amused smile. "What a good guess, and considering how late the hour is, too!" "Try, try to understand me," entreats she, desperately, following him and laying her hand upon his arm. "It is only this. It would not make you happy,—not afterwards, when you could see the difference between me and the other women you have known. You are a gentleman; I am only a farmer's niece." She says this bravely, though it is agony to her proud nature to have to confess it. "And did you think I was content to let him die" says Mona, reproachfully. "No! There is a chance for him still, and I will explain it to you. It is early yet. He seldom passes here before eleven, and it is but a little after ten. I know the hour he usually returns, because he always goes by our gate, and often I bid him good-night in the summer-time. Come with me," excitedly. "I can lead you by a cross-path to the Ballavacky road, by which he must come, and, if we overtake him before he reaches that spot, we can save his life. Come; do not delay!".

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It is at this particular moment that Violet, inadvertently raising her head, lets her eyes meet Jack Rodney's. On which that young man—being prompt in action—goes quickly up to her, and in sight of the assembled multitude takes her hand in his. "Oh, you are my friend," says Mona, sweetly. Then, returning to the charge, "Perhaps after all it is not so much her fault as that of others. Evil counsellors work mischief in all ages." "What has he done?" asks Geoffrey, somewhat bewildered and greatly distressed at her apparent grief. "Mona, are you still there?" he says, with a return to consciousness: "did I dream, or did my father speak to me? How the night comes on!" He sighs wearily. "I am so tired,—so worn out: if I could only sleep!" he murmurs, faintly..